[Most of us know the familiar portrait of Parumala Thirumeni. In this account, first published in Malayala Manorama on 17 and 18 September 1937, and later republished in Punya Smrithi, the 2000 souvenir commemorating the consecration of the new Parumala Church, artist K. M. Varghese traces the familiar portrait of Parumala Thirumeni to its source: Mr. Zachariah D'Cruz, the Travancore Government photographer. Commissioned to photograph Thirumeni for the Travancore State Manual, D'Cruz recounts the difficulties he faced as the demands of light and time came up against Thirumeni's unwavering rhythm of prayer, and the extraordinary event that followed. KM Varghese probes with a questioning mind and D'Cruz, an experienced photographer and no blind believer, stands by what he witnessed. Below is the English translation and this old account offers a rare glimpse into the prayer and quiet presence of St. Gregorios of Parumala]
*****************************************************************************************************
[D’Cruz]: "His Grace was a man of
profound piety and exceedingly holy”.
[KM Varghese]: "So Mr. D'Cruz seems to
have been well acquainted with the Thirumeni."
[D’Cruz]: "Not that familiar. Even so,
something wondrous that happened in the courtyard of the Syrian church here
still fills me with indescribable amazement."
[KM Varghese]: "A wondrous event?"
I asked Mr. D'Cruz, the Travancore Government photographer, with some
eagerness.
[D’Cruz]: "Yes, a true miracle. It was
beyond logic and reason. But if I tell you, you may not believe it."
[KM Varghese]: "Please do tell me. I
very much need to know."
Mr. D'Cruz stood with both hands held slightly
forward, loosely resting on the head of a walking cane. Together we moved from the public road towards
the garden paths on the eastern side of the Science College in
Thiruvananthapuram. Close by, one or two Tamil women dressed in coarse cotton
saris sat with guavas, pomegranates, groundnuts and peanuts laid out in flat
wine boxes. They were murmuring something or other, hoping to catch the
attention of passers-by.
[A note from the author before the account:
Apart from Devasahayam Pillai (Lazarus)of Maruthukulangara, Nattalam,
Padmanabhapuram, that crest-jewel among Christ's devotees, who patiently bore
many cruel torments from the government officials, the rulers of Venad, because
he would not forsake his beloved Lord Jesus Christ, and who was shot and met a
martyr's death on Friday, 14 Makaram, Malayalam Era 927, the holy man who
deserves an unrivalled place in Kerala’s (Christian) spiritual history is Mar
Gregorios Metropolitan, or Chathuruthil Thirumeni, who was laid to rest in Malayalam
Era 1078. This is accepted by the whole Christian world. It seems that few
people know that the portrait of His Grace now in circulation is a printed copy
of the photograph taken by Mr. D'Cruz.]
I once needed a copy of the original photograph
from which this printed reproduction was made. An ordinary print lacks the
clarity, vibrancy, cleanness and subtle naturalness of a real photograph, and
for that reason no responsible photojournalist accepts a printout as an
authentic original in photojournalism. I therefore remained continuously
engaged in the search for where the original photograph of the Metropolitan's
portrait might be found.
While matters stood thus, my respected friend
and neighbour Dr. P. V. Mammen once told me that his father- Mr. P. K. Varkey
(who had long been a teacher at the Government English High School, Mavelikara,
and was well known for the great number of his pupils and the esteem he had won
from the public) had in his possession a photograph of Chathuruthil Thirumeni.
It had been given to his father as a gift by A. R. Rajaraja Varma
Koyithampuran. Without any further delay, I went to see Mr. Varkey and
explained the matter, and he gladly showed me the photograph. The joy I felt on
seeing it was beyond words, but my sorrow was greater still. The photograph had
been gnawed extensively by vermin and it had become entirely useless. Even so,
Mr. D'Cruz's name had been neatly stamped on one corner of the board on which
the photograph was mounted, so the difficulty of tracing the photographer was
resolved.
Some years passed. It seems to have been in Malayalam
Era (M.E.) 1107 or 1108 (1931/1932 CE) when I happened to meet Mr. D'Cruz by
chance near the Syrian church in Thiruvananthapuram. After a few pleasantries,
I made my need known to Mr. D'Cruz. Gradually our conversation touched on the
posture of the Metropolitan as seen in the photograph, the proper control of
its light and shade, its clarity and brilliance, the serene detachment
radiating from the Metropolitan's face, and the height of spiritual exaltation
it conveyed.
Mr. D'Cruz said: "However you look at
it, that Thirumeni was a man of supreme devotion. And in every respect, it was
also a wondrous event."
"He was a man of great piety, no doubt.
But was that event a wondrous happening beyond all logic and reason?" I asked impatiently.
With a look of amazement on his face, Mr.
D'Cruz said- "Even at this very moment, that event fills me with
wonder. I was terribly frightened. It is not one or two years; I have thirty
years of unbroken experience in photography. Studio photographs aside, when
taking a photograph in an open place, I am extremely particular about the
arrangement of light, shade and time. In a way, one might say that the
excellence and fame of my photographs rest entirely on my discipline and
diligence in matters of light and shade, of timing and of naturalness. Yet on
one unfortunate occasion, when light, shade, time and place were all utterly
against me, I had to take a photograph of that Thirumeni. Would you believe me
if I told you that, by the power of that holy man's prayer alone, a dark cloud
appeared of its own accord in the expanse of the sky and, for a little while,
kept the blazing disc of the sun covered? Oh, that is something I can never
forget. It was not a coincidence, and it could never be one."
After a few moments I broke the silence.
"Why can't it be a coincidence? Clouds drift across the sky all the time.
Perhaps, bewildered by the place and the circumstances, it only seemed a wonder
to you, Sir."
"Don't I know that clouds move in the
sky?" Mr. D'Cruz replied.
"Leave that aside. Are you saying that wonders cannot happen? I don't
think even Hindus would say that."
"I don't say that wonders cannot
happen," I answered. "Almighty
God came into the world as a man. He grew as a man, ate as a man, slept as a
man, wept as a man, cried aloud as a man, and died as a man and that, surely,
is the greatest wonder of all."
"So you admit that wonders can
happen," Mr. D'Cruz said,
with a faint smile.
"I certainly admit it," I said. "Not only can wonders happen,
but Jesus Christ himself said that the holy souls, his devoted servants, would
be able to perform even greater wondrous works than Christ did. Moreover, after
His resurrection Jesus Christ bestowed on his disciples the divine gift of
working wonders. But what I am asking is whether this event which you described
can be counted as a wonder. From its very nature, one might infer that it was
merely a coincidence."
Mr. D’Cruz: “Then are you saying that I am
someone without the discernment to tell the distinctive character of a wondrous
event from the ordinary course of a chance occurrence? Isn't that rather
presumptuous? I too am a man living in this twentieth century. But when you
come to know the true circumstances of the event, you will surely realise that
I am no mere blind believer.”
I stood in rapt attention.
Mr. D'Cruz took his hat off his head and, with
a small towel he was holding, slowly wiped his bald head and the area around
it. Then, with a pleasant smile, he said:
"It happened in 1901 or 1902. I think it
was most probably 1901. I took his photograph at the request of Mr. Nagam Aiya,
the Dewan Peishkar (of Travancore), who needed a picture showing the vestments
of the Metropolitans of the Malankara Church for inclusion in the Travancore
State Manual.
What you see in the State Manual now is a
printing of it. I think the photograph was taken in the month of Makaram. At
that time His Grace was residing in the shed on the eastern side of the Syrian
church here. Mr. Nagam Aiya had informed Thirumeni well in advance that I would
be coming to take the photograph. So one day, very early in the morning, I
reached his residence with my camera. His Grace was in the church, offering
morning prayers, followed by the Holy Qurbana. By half past seven the sunlight
had grown too strong (for photography). Seeing that there was no use in waiting
there any longer, I went back.
That evening I went again at four o'clock. But
half an hour before I arrived, His Grace had gone into his room for private
prayers and closed the door. He came out only at half past five, and by then
the light was completely gone. For two or three days I struggled in this way.
Morning and evening, His Grace had no time at all, and the dim light of the
evening was quite unsuitable. On top of that, some senior officials of the
place had by then come to meet Thirumeni and speak with him. In this state of
affairs another day or two passed. In the meantime, Mr. Nagam Aiya met Thirumeni
once or twice and spoke with him. He also kept urging me to take the photograph
quickly and send it."
I asked in a calm voice, "Offering the
Holy Qurbana (on a weekday) would take no more than about three-quarters of an
hour. You could have asked his permission to take the photograph before
that."
"I had thought of that too," said Mr. D'Cruz. "But his writer
(perhaps this refers to Thirumeni’s secretary Achen or Semassen) told me that
His Grace would not enter into any other matter until the morning prayers and
the Qurbana were over, so I did not attempt it."
I said, "You could have made all these
difficulties known to the Thirumeni and taken him to your studio. In a studio,
one need not worry about sun or rain."
Mr. D'Cruz said, "I made an earnest
effort for that as well, but it simply did not work out. Achen told me firmly
that His Grace did not go out (leave church premises) for any reason, except to
visit the sick in their homes in cases of urgent need.
In short, the only time available was some time
between half past eight and half past three, excluding the time of the noon
prayer. At any other time, there was simply no possibility of taking the
photograph. Because the photograph was not forthcoming, Mr. Nagam Aiya grew
impatient, and he sent word to me two or three times. What could I do?
In the meantime, I explained to His Grace in
person, and in detail, the defects that arise from taking a photograph at
midday, in sunlight and in shade. It was all to no effect. His Grace said
firmly that, whether the photograph came out dark or bright, and even if the
room were dim, his observances/cycle of prayers must not be disturbed. Since
this was only a photograph meant to show a model of the vestments, he said it
did not matter even if it did not come out well. Moreover, he declared that he
would leave Thiruvananthapuram within two days, and that the photograph should
be taken before then. I was in a dilemma.
Anyway, I reached the church the next morning.
His Grace, having finished the Holy Qurbana and a light refreshment, was
engaged for a short while in an urgent conversation with some other people. By
the time he sent them away and called me, it was past ten. I quickly made the
camera ready. To judge how the image would come out, I had someone stand in the
sun and then in the shade, and I tested it for a little while.
The shade was thoroughly gloomy. In the open
sun the glare was dazzling, and the room inside was deeply dark. Though
everything seemed to be against me, I judged that taking the photograph in the
sunlight was the better one.
I fixed the camera in its proper place and
informed His Grace. At once he came and stood in front of the curtain, wearing
his outer robe and mitre. Someone stood behind him, holding an umbrella high to
shade him from the sun, careful not to be in the way. But when I looked into
the camera, His Grace's figure did not look right at all. It flickered here and
there, glared white and cast shadows, and appeared badly distorted. He
understood in an instant that I was greatly troubled and distressed. In deep
sorrow I said: 'The Government has a record in which many fine photographs are
included. After struggling for five or six days, only His Grace's picture would
have to go in looking so badly distorted. That would be a disgrace to my name.
I feel a remorse I cannot bear.'"
Before I had finished speaking, the
compassionate Thirumeni looked into my face with the utmost kindness. Then he
closed his eyes and, absorbed in meditation, stood silent for a little while
with his face lifted towards the disc of the sun. To find out what His Grace
was doing, I looked intently at his face and then at the sky. As though
accomplishing some great task, he raised the golden cross he held in his hand
towards the sky and blessed in the form of a cross. I had barely closed and
opened my eyes. What divine power! At that very instant a dark cloud covered
the blazing sun. The light was now just right, soft and pleasant. Not even
studio lighting could have been so perfect. In the presence of that great soul,
I was seized with fear and dared not go near him.
"'Take the photograph quickly,' His Grace
said, very calmly. I swiftly set his position and surroundings right once more
and opened the lens. Not even a moment had passed when, at that very instant, I
saw it rush down with lightning speed and spread. I looked intently at the sky
once more. Everything was exactly as before, without the slightest difference.
Only the blazing disc of the sun was there. There was no dark cloud, nothing at
all. How it had vanished, where it had gone, who could say? It was all over in
a moment."
Mr. D'Cruz and I looked into each other's eyes.
For a while, neither of us spoke. To the west of the Science College, golden
clouds billowed in the blue sky like surging waves, forming a golden shoreline.
Gleaming, plump cars sped along the road.
I asked, "You must have taken copies of
that photograph and kept them?"
"No. Not even one." Mr. D'Cruz went on in a tone deeply expressive
of sorrow. "Even its negative was lost. What a pity! I cannot even bear
to recall it. I suppose it was lost along with a number of glass plates that I
once handed over to tinsmiths. Many people have asked me for a copy of it by
now. What can I do? I can call it nothing but ill fortune."
"A great loss indeed. Especially to the
Syrian Christian community. There is no doubt about it.
"Can one still get a printed copy of
it?"
"Yes, one can. It was printed in the Manorama,
and only that one block exists now."
"If it is a zinc plate, the block would
have been damaged by the printing. If it is copper, there is no such
fault."
"A little wear may well have set in."
"Where was he laid to rest? In the
southern or the northern part of the Thiruvalla taluk?"
"At the southern end."
"Near Mr. John?"
"Yes, right near the Mankotta
Maharshi."
"How far?"
"Two miles from Niranam."
"The place is Parumala."
"Parumala."
By the prayers of our holy father among the saints- St Gregorios of Parumala, Lord have mercy upon us and help us.
In Christ,
Rincy
Reference: Translated from the Malayalam text of K. M. Varghese's article as republished in Punya Smrithi, souvenir published in connection with the consecration of the new Parumala Church, 28 October 2000, pp. 56–60. The article was originally published in Malayala Manorama on 17 and 18 September 1937.
St. Gregorios of Parumala photo reference: V.
Nagam Aiya, The Travancore State Manual, vol. II (Trivandrum: Travancore
Government Press, 1906), 135. Photograph of St. Gregorios of Parumala by
Zachariah D'Cruz.
The below photos (taken in 2025) of St. George Orthodox Cathedral, Syrian Church Road, Spencer Junction, Palayam, Thiruvananthapuram. I was informed that this is the church where the photograph of St. Gregorios of Parumala was taken by Mr. Zechariah D'Cruz.
![]() |

![]() |
| Chitramezhuthu K. M. Varghese. Photo taken from this source. |






